The Canon EOS 550D is a difficult product to categorize.
Ostensibly designed to appeal to first-time DSLR buyers and enthusiasts,
it offers a lot more technology, and at a higher price, than we might
expect for a camera aimed squarely at this sector. Although it might
seem logical for the 550D to replace the EOS 500D, the older camera is
set to continue in Canon's lineup, which leaves the 550D pinched between
its entry-level (represented by the still-current EOS 1000D and the
500D) and nominally enthusiast (the EOS 50D) peers. Confusingly however,
apart from build quality (which is all but identical to the EOS 500D),
the 550D has more in common with the prosumer EOS 7D, and - perhaps even
more confusingly - it out-specifies the EOS 50D in many areas.
Central to the impressive specification of the EOS 550D is a
high-spec movie mode which offers full HD capture at up to 30 fps,
manual control over exposure, and the option to use an external stereo
microphone. The new camera also inherits the EOS 7D's sophisticated
metering system (which brings it a lot closer to similarly positioned
Nikon SLRs).
So why has Canon apparently risked cannibalizing 7D sales by
releasing such a similarly-specced, lower-end model? Well, Canon might
have invented the 'entry-level' DSLR way back in 2003 with the
attractively priced (for the time) EOS 300D, but these days, this sector
of the marketplace is pretty crowded. Far from enjoying a monopoly,
Canon, like all manufacturers, faces a stiff battle to make its products
stand out
amongst their numerous peers.
To this end, Canon has pulled out all the stops with the EOS 550D and
produced the most highly-specced Rebel we've ever seen. Now that a
production sample has arrived in dpreview's offices, we've had the
chance to subject it to our full in-depth test procedure. Read on to
find out how it performs.
A brief history; Canon entry level digital SLR series
- 20/08/03: Canon EOS 300D / Digital Rebel (6 mp)
- 17/02/05: Canon EOS 350D / Digital Rebel XT (8 mp)
- 24/08/06: Canon EOS 400D / Digital Rebel XTi (10 mp)
- 24/01/08: Canon EOS 450D / Digital Rebel XSi (12 mp)
- 10/06/08: Canon EOS 1000D / Digital Rebel XS (10 mp)*
- 25/03/09: Canon EOS 500D / Digital Rebel T1i (15.1 mp)
- 08/02/10: Canon EOS 550D / Rebel T2i (18 mp)
* The Canon EOS 1000D represents a sub-class of the Rebel series and hence should be considered a parallel series.
Headline features
- 18 Megapixel APS-C CMOS sensor
- DIGIC 4 processor with ISO 100-6400 (Expansion to 12800)
- Continuous shooting at 3.7fps
- Full HD movie recording with manual control and selectable frame rates
- 7.7cm (3.0”) 3:2 Clear View LCD with 1,040k dots
- iFCL metering System with 63-zone Dual-layer Metering Sensor
- Quick Control screen to change shooting settings
- Exposure compensation +/-5 stops (although viewfinder scale is still +/-2 stops)
- Select maximum value for Auto ISO
- External Microphone socket
- Movie crop function
- Eye-Fi connected functions compatibility
EOS 550D vs EOS 500D Key differences
- Higher resolution 18MP CMOS with gapless micro lenses
- ISO 6400 no longer in 'expanded' range (12,800 max remains the same)
- Redesigned buttons and new movie/live view button
- Customizable auto ISO ranges
- Improved 63 zone metering (iFCL)
- 3:2 format screen with more pixels
- Improved movie functionality
- Slightly higher burst shooting rate (though buffer holds fewer shots)
- HDMI control (CEC)
- SDHX Compatible
Technology in Detail/What's New
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18.7 megapixel CMOS sensor
The 550D uses a new, 18.7 (total) megapixel sensor that's
similar, but not exactly the same as the one featured in the 7D
(according to our sources at Canon). As before the sensor uses high
frequency vibrations to remove dust. |
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Gapless micro lenses
First touted by Canon on the 50D, the EOS 550D's sensor has
what are effectively gapless micro lenses, which significantly increases
the efficiency of each pixel. |
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63-point iFCL metering
The consumer EOS range gets a welcome metering boost with a
new 63-zone dual layer iFCL metering sensor (first seen on the EOS 7D).
The iFCL system uses focus, color and luminance information to determine
consistently exposed shots. All focus points provide distance
information to the metering system to determine proximity to the subject
and allow the algorithm to weight the exposure accordingly. |
Typically, metering sensors are more sensitive to red
subjects which can lead to overexposure. The EOS 550D combats this with
the dual layer sensor, which has one layer sensitive to red and green
light and one that is sensitive to blue and green light. The metering
algorithm then compares the level of the two layers and adjusts the
meter reading accordingly. |
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Full HD movie mode
In keeping with the overall specification hike the
EOS 550D gets full HD (1920 x 1080) movie capture at a range of frame
rates (30, 25 and 20), bringing it in line with the EOS 7D. You also get
full creative control (over apertures and shutter speeds), and you can
set Highlight Tone Priority for movies independently of the setting used
for stills. Another welcome addition is the inclusion of a stereo
microphone jack.
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Screen Color
There are several minor changes to the user interface. You can
now preview the color schemes available for the Quick Control Screen. |
Copyright information
The new in-camera copyright information feature - another that's
trickled down from the latest professional models - allows copyright
data to be entered directly into the camera, appending that information
to each image file in the Exif metadata. |
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Button changes
The EOS 550D gains new button dedicated to Live
View / movie mode; where it used to sit on the EOS 500D is now a new 'Q'
button (for fast access to the Quick Control Screen). Most of the
buttons have been redesigned, and they're generally larger and flatter.
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